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Baker Douglas has reproduced Rodney Charters’s photo Woman on a Horse (1966) as a limited-edition poster to support the launch of our Unseen City app book. Not so city, but definitely unseen.

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I’m a middle-aged art curator, so I’m a hard-copy publishing guy. In the art world, hard-copy publishing is a status thing. Ink on paper in the morning smells like victory. But I’ve just been involved in making an app book and I love it. Baker Douglas has published an expanded app-book version of the catalogue for my 2015 show Unseen City: Gary Baigent, Rodney Charters, and Robert Ellis in Sixties Auckland. The digital format enables the inclusion of different kinds of content and way more content. The show comes to life in a rich new way. The app book includes Rodney Charters’s Film Exercise (1966) as a movie, rather than representing it through stills, and users are guided through Gary Baigent’s photobook The Unseen City (1967) as a movie. There are all kinds of added extras. Everything makes more sense. It leaves the original hard-copy publication for dead. We launch it at Art+Object in Auckland on 30 November, 6–8pm. Join us for the party.

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Barbara Kruger just designed the cover of New York magazine—her portrait of Donald Trump. I was reminded that, in 1988, Priscilla Pitts, Merylyn Tweedie, and I interviewed the American artist for Antic. Kruger was here for her show at Wellington’s Shed 11. She was a superstar, at the height of her fame, and intellectually intimidating. That’s probably why it took all three of us to interview her. Re-reading the interview, the funniest bit is when Tweedie asks Kruger if she would consider making a film ‘outside the Hollywood system’. Kruger replies: ‘What other system is there? … I don’t want to make a black-and-white film with words over it.’ Presumably, she was unaware that this described Tweedie’s own alternative films to a T. Here’s that interview.