Robert Leonard

Contemporary Art Writer And Curator

Je Ne Sais Quoi

May 10, 2018

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Now Showing

March 3, 2018

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Anti-Social Media

February 17, 2018

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Once upon a time, we imagined the Internet connecting us, one and all, as a big happy family. But now, we see how it separates us, creating enclaves, breeding trolls. In Kill All Normies  (Alresford: Zero Books, 2017), Angela Nagle charts the evolution of online subcultures of both the left and right, and shows how they paved the way for the emergence of the alt-right and Trump. It’s a fascinating, scary little book.

Nagle shows how sanctimonious, intolerant, and prescriptive the online left has become. Its clicktivists, snowflakes, and social-justice warriors are obsessed with safe spaces and parking their privilege. But this has a sinister side. In insisting on the scarcity of virtue, the left polices ever more arcane forms of political correctness. The left eats itself.

Nagle understands the emergence of the anti-establishment alt-right—rude and crude, misogynist and racist—as a reaction to this. It’s impressive how far she, as a left-winger, will go to understand their toxic mindset and how it has evolved in the online petri dish. Paradoxically, she also reveals how much this new brand of right-wing thinking has taken from the left, from Gramsci’s cultural Marxism and from postmodern art strategies of irony and transgression. It makes it hard to beat.

Clearly, we’re in a new phase of the culture wars. Nagle offers a roadmap to the rabbit hole. Required reading.
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Who Am I?

I am a contemporary-art curator and writer, and Director of the Institute of Modern Art, Brisbane. I have held curatorial posts at Wellington’s National Art Gallery, New Plymouth’s Govett-Brewster Art Gallery, Dunedin Public Art Gallery, Auckland Art Gallery, and, most recently, City Gallery Wellington, and directed Auckland’s Artspace. My shows include Headlands: Thinking through New Zealand Art for Sydney’s Museum of Contemporary Art (1992); Action Replay: Post-Object Art for Artspace, Govett-Brewster Art Gallery, and Auckland Art Gallery (1998); and Mixed-Up Childhood for Auckland Art Gallery (2005). My City Gallery shows include Yvonne Todd: Creamy Psychology (2014), Julian Dashper & Friends (2015), Francis Upritchard: Jealous Saboteurs (2016), Colin McCahon: On Going Out with the Tide (2017), John Stezaker: Lost World (2017), This Is New Zealand (2018), Iconography of Revolt (2018), Semiconductor: The Technological Sublime (2019), Oracles (2020), Zac Langdon-Pole: Containing Multitudes (2020), and Judy Millar: Action Movie (2021). I curated New Zealand representation for Brisbane’s Asia-Pacific Triennial in 1999, the Sao Paulo Biennale in 2002, and the Venice Biennale in 2003 and 2015. I am co-publisher of the imprint Bouncy Castle.

Contact

BouncyCastleLeonard@gmail.com
+61 452252414

This Website

I made this website to offer easy access to my writings. Texts have been edited and tweaked. Where I’ve found mistakes, I’ve corrected them.

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Selected Writings

2025

  • Susan King

2024

  • Miguel Aquilizan: Mutagenesis
  • Sarah Poulgrain: Take Me to the River
  • Ralph Hotere: Taranaki Gate Stations

2023

  • Brent Harris: Hidden Figures
  • Michael Zavros: The Devil’s in the Detail
  • The Last Word
  • Kathy Barry: Within You Without You
  • Anselm Kiefer Has Left the Building
  • Tia Ranginui: My Other’s Other

2022

  • Giovanni Intra: The Light that Burns Twice as Brightly
  • Brett Graham: Art of Forbearance
  • Divergent
  • Brent Wong: Twilight Zone
  • Brett Graham: Ark of Forbearance
  • Julian Dashper: Are You Talking to Me?
  • Yvonne Todd and Geoffrey Heath: Mould in the Lens
  • John and Jane
  • Simon Ingram with Terrestrial Assemblages: Machine in the Garden
  • Venice for Beginners
  • Zac Langdon-Pole: Hurry Slowly
  • John Currin: Part of the Problem
  • John Lethbridge: Escape the Flames

2021

  • Robin White: The Tide Turns
  • Telly Tuita: Telly Vision
  • Brett Graham: Written on the Wind
  • Florian Habicht: Everything Is Kapai
  • Andrew Beck: Photography Backwards
  • Judy Millar: Paint, Canvas, Action
  • Julian Dashper: Autumn 1989
  • Yona Lee: Fix and Fit
  • Tia Ranginui: Gonville Gothic
  • In Memory of Bill Hammond 1947–2021
  • Wellness versus Art
  • Susan King: Address Unknown
  • Michael Zavros: Zeus/Zavros

2020

  • Zac Langdon-Pole: Containing Multitudes
  • Isabella Loudon: Concrete Mixer
  • Zac Langdon-Pole: Rabbit Hole
  • Kirsty Lillico: Let Me Tell You About My Mother
  • Steve Carr: Taking the Fun out of Fireworks
  • Explaining Peter Peryer to a Dead Hare
  • Stuart Ringholt: Committing Time
  • John Stezaker: A Ship’s Steering Wheel and a Hangman’s Noose
  • Gavin Hipkins: No Place (Like Home)

2019

  • Brent Harris: Sincere Disconnect
  • Colin McCahon: Numerals
  • City Chief
  • Stanley Kubrick: 2001
  • Patrick Pound: Slender Threads

2018

  • Questioning Revolt
  • The People vs. Kelley Walker
  • Eva Rothschild: The Difference a K Makes
  • Patrick Pound: The Collector’s Shadow
  • Jono Rotman: Our Enduring Image of Strength
  • This Is New Zealand
  • Ian Scott: Enzed Dead Zone

2017

  • Gavin Hipkins: The Revenant
  • John Stezaker: Twice Removed
  • Michael Parekowhai: The Empire of Light
  • Colin McCahon: On Going Out with the Tide

2016

  • Gavin Hipkins: Wives Are Scarce
  • Mikala Dwyer: Psychoplastic
  • Corita Kent: Sister Act
  • Laith McGregor: Ramblin’ Man
  • Francis Upritchard: Adrift in Otherness
  • Fifteen Minutes, Twenty Years Later: Ann Shelton’s Redeye
  • Cindy Sherman: Everything and Its Opposite
  • Julian Dashper: Nothing Personal
  • When Artists Die
  • Bullet Time
  • Michael Zavros: Daddy’s Girl
  • Jacky Redgate: What Ever Happened to Baby Jacky?

2015

  • Julian Dashper & Friends
  • Love Not Given Lightly 
  • City Mission
  • Feel the Love in Venice
  • Simon Denny: Too Much Information
  • Steve Carr: Annabel

2014

  • Yvonne Todd: Cult Appeal
  • Viviane Sassen: Detail in the Shadows
  • Mikala Dwyer: Drawing Down the Moon
  • Promiscuous Collaborator
  • Stuart Ringholt: The Artist Will Be Naked
  • Curnow’s Leverage
  • Simon Starling: Please Explain
  • Ocula Conversation
  • Michael Zavros: What Now?

2013

  • Shane Cotton: The Treachery of Images
  • Geek Moment
  • On Curating
  • Craig Walsh: Elephant in the Room

2012

  • Re-Reading Julian Dashper’s The Big Bang Theory
  • Nostalgia for Intimacy
  • Don Driver 1930–2011

2011

  • Peter Madden: Orgasm and Trauma
  • Damiano Bertoli
  • Judy Millar
  • Unnerved: The New Zealand Project
  • Michael Zavros: Charm Offensive

2010

  • Peter Robinson: Gravitas Lite
  • APT6: Nice Show
  • Scott Redford: It’s Complicated
  • Feminism Never Happened
  • Michael Stevenson: Gift Horse
  • Scott Redford vs. Michael Zavros
  • Taryn Simon’s Known Unknowns

2009

  • Vernon Ah Kee: Your Call
  • Biennale Makers
  • Hamish Keith: The Big Picture
  • Julian Dashper 1960–2009
  • Tomorrow Will Be the Same but Not as This Is
  • Jemima Wyman: The Declaration of Resemblance and Fluid Insurgents

2008

  • Hello Darkness: New Zealand Gothic
  • Vivian Lynn’s Playground Series
  • Archives Become Him: The Giovanni Intra Archive
  • The Dating Show
  • Diena Georgetti: Parallel Existence

2007

  • Katharina Grosse: Mist and Mud
  • Julian Dashper: Mural for a Contemporary House 4
  • Scott Redford: Pop Haiku
  • Grey Water
  • Yvonne Todd: Why Beige?

2006

  • Jim Speers: Outdoor Cinema
  • Curator/Surfer
  • Gordon Walters: Form Becomes Sign
  • Et Al.’s Neo-Brutalist Playground
  • Hany Armanious: Catalogue of Errors

2005

  • Mixed-Up Childhood
  • Yvonne Todd
  • Michael Smither: Print Friendly
  • AES+F: We Are the World, We Are the Children
  • Stella Brennan: History Curator
  • Michael Parekowhai: Kapa Haka Pakaka
  • At the End of New Zealand Art
  • Judy Millar: I … Would Like to Express
  • Ian Scott: Jump Over Girl

2004

  • Mike Parr: Portrait of M and F
  • Shane Cotton: Cultural Surrealist
  • Peter Robinson: The End of the Twentieth Century
  • Et Al., Jacqueline Fraser, Ronnie van Hout, and Daniel Von Sturmer: 2004 Walters Prize
  • Et Al.: Simultaneous Invalidations, Second Attempt
  • Judy Millar: Things Get Worse

2003

  • Terry Urbahn
  • Michael Stevenson: Call Me Immendorff
  • Bill Hammond
  • Michael Parekowhai
  • John Reynolds
  • Michael Stevenson
  • Michael Stevenson: This Is the Trekka
  • Peter Peryer

2002

  • Jim Speers: Everything Is in Two Minds
  • John Reynolds: A City Street. A Sign. Dusk.
  • Gavin Hipkins: The Colony

2001

  • John M. Armleder: Lovers Lane on Full Moon

2000

  • Ava Seymour: I’m So Green
  • Jim Allen: Contact
  • Stephen Bambury: Interview
  • Gavin Hipkins: The Crib
  • Michael Parekowhai: Patriotism
  • Michael Stevenson and Steven Brower: Genealogy

1999

  • Adrian Hall: Bricks in Aspic
  • Gavin Hipkins: The Guide
  • Stephen Bambury: Chakra
  • Patrick Pound: Landscape of Mirrors
  • William Kentridge
  • The End of Improvement: In Defence of Ava Seymour
  • Colin McCahon

1998

  • Te Papa: Papa’s Bag
  • Rudi Fuchs: Some Sun, Some Mist, Some Shadow
  • Gavin Hipkins, Ani O’Neill, Peter Robinson, and Jim Speers: Biennale of Sydney
  • Shane Cotton
  • Action Replay: Curators’ Introduction

1997

  • Ronnie Van Hout: Overimpressed
  • Pacific Sisters: Doing It for Themselves
  • Peter Robinson’s Strategic Plan
  • Dick Frizzell: Self Portrait as a Serious Artiste
  • Richard Killeen: Secret Handshake
  • John Nixon

1996

  • Edgar Roy Brewster: Where the Bee Sucks There Suck I
  • Peter Peryer: Second Nature
  • For Armchair Tourists

1995

  • 3.125% Pure: Peter Robinson Plays the Numbers Game

1994

  • Peter Tyndall
  • Dashper as Photographer
  • Julian Dashper and Michael Parekowhai: Perverse Homages
  • Michael Stevenson: Smokers Please
  • Michael Parekowhai: Kiss the Baby Goodbye

1993

  • Dick Frizzell: Beyond the Pale
  • Michael Smither: To My Father the Printer

1992

  • Sleeve Notes: Julian Dashper’s Greatest Hits
  • Derrick Cherrie: Two Interviews
  • James Ross: Damned Fine Paintings
  • How Far Can Curators Go?
  • Mod Cons
  • Cliff Whiting: Te Po, Te Whaiao, Te Ao Marama (From out of the Darkness, the World of Being, to the World of Light)
  • Making a Scene

1991

  • Merylyn Tweedie: Mixed Emotions
  • Michael Parekowhai: Against Purity
  • Marie Shannon: Something from Nothingness Comes

1990

  • Julian Dashper: Surf
  • Derrick Cherrie: First Impressions

1989

  • Nobodies: Adventures of the Generic Figure

1988

  • You Must Be Barbara Kruger!

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