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Aaron Lister has curated a lovely satellite exhibition—Other People’s Photographs—to accompany the major Cindy Sherman show currently on display at City Gallery. This sidebar show presents the vernacular photos that Sherman has collected over the years, including a massive haul of snaps taken at Casa Susanna, the now-infamous crossdressers’ retreat in upstate New York. From the mid-1950s to the mid-1960s, men went there to enjoy a vacation from their gender, to become one of the girls. They enacted stereotypical, normative views of femininity, aiming to pass as middle-class housewives, mostly. The snaps are an eye opener, offering an odd perspective on feminism. On the one hand, they anticipate a familiar feminist insight, highlighting femininity as a social construction, a masquerade (a Sherman idea). On the other hand, they complicate feminism, as the men discover their own freedom, release, and agency in the repertoire of characters and gestures, fashions and adornments, that feminists will soon reject. They pad the bras that feminists will burn. But do they retain their male privilege through the process? (City Gallery Wellington, until 19 March.)